{"id":22064,"date":"2024-01-28T12:59:15","date_gmt":"2024-01-28T11:59:15","guid":{"rendered":"https:\/\/text-mode.org\/?p=22064"},"modified":"2024-01-28T12:59:15","modified_gmt":"2024-01-28T11:59:15","slug":"22064","status":"publish","type":"post","link":"https:\/\/text-mode.org\/?p=22064","title":{"rendered":""},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-54.png\"><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"445\" src=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-54.png\" alt=\"\" class=\"wp-image-22068\" srcset=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-54.png 480w, https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-54-200x185.png 200w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/figure>\n\n\n\n<p>Halis Bi\u00e7er, 1972.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-53.png\"><img decoding=\"async\" loading=\"lazy\" width=\"951\" height=\"489\" src=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-53.png\" alt=\"\" class=\"wp-image-22067\" srcset=\"https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-53.png 951w, https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-53-768x395.png 768w, https:\/\/text-mode.org\/wp-content\/uploads\/2024\/01\/image-53-200x103.png 200w\" sizes=\"(max-width: 951px) 100vw, 951px\" \/><\/a><\/figure>\n\n\n\n<p>Emin Barin, 1970s<\/p>\n\n\n\n<p>Emin Barin and Halis Bi\u00e7er started to make <a href=\"https:\/\/text-mode.org\/?tag=square-kufic\">square kufic<\/a> calligraphy with Latin letters in the 1970s. Most, if not all, square kufic were previously in Arabic. Barin was inspired by the younger Bi\u00e7er, according to Enis Tan&#8217;s PhD thesis, <a href=\"https:\/\/www.academia.edu\/23460309\/A_study_of_Kufic_script_in_Islamic_calligraphy_and_its_relevance_to_Turkish_graphic_art_using_Latin_fonts_in_the_late_twentieth_century?auto=download\">A study of Kufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Halis Bi\u00e7er, 1972. Emin Barin, 1970s Emin Barin and Halis Bi\u00e7er started to make square kufic calligraphy with Latin letters in the 1970s. Most, if not all, square kufic were previously in Arabic. Barin was inspired by the younger Bi\u00e7er, according to Enis Tan&#8217;s PhD thesis, A study of Kufic script in Islamic calligraphy and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[439],"tags":[1405,275,270,166],"_links":{"self":[{"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/posts\/22064"}],"collection":[{"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/text-mode.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22064"}],"version-history":[{"count":1,"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/posts\/22064\/revisions"}],"predecessor-version":[{"id":22069,"href":"https:\/\/text-mode.org\/index.php?rest_route=\/wp\/v2\/posts\/22064\/revisions\/22069"}],"wp:attachment":[{"href":"https:\/\/text-mode.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/text-mode.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/text-mode.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}