D.J. Szenfeld@Flipyap (via twitter)
Grim Fandango Demastered, or: How I learned that being good at ANSI art can look like being bad at pixel art. #EDSCII
D.J. Szenfeld@Flipyap (via twitter)
Grim Fandango Demastered, or: How I learned that being good at ANSI art can look like being bad at pixel art. #EDSCII
Live Type in PETSCII animation on Commodore 64 by Raquel Meyers.
Track: Tacocat – Crimson Wave | Hardly Art Records#Vol2 Hits With Tits in PETSCII-O-Rama
Perpetuo Socorro • Calvario • Elsa de Alfonso y Los Prestigio • Paisana • Summerisle • Bombón • #MuerteMortal • Die Katapult • Pega Monstro • PL Girls • Malvan Roses • Las Cruces, Madrid • Sección Femenina • Violeta Vil • Ghost Car • Sol Marianela • Los Chicos Problema • Gurr
Bilaga limited editions Issue #3 / Raquel Meyers
Unique lacer-cut #teletext and a very special print edition of ‘we live in a time of monsters’
http://ift.tt/1wisXUq
‘we live in a time of monsters’ (2014)
Installation by Raquel Meyers for the exhibition ‘SonicGameSpace’
9th-12th October 2014, Østre Hus for Lydkunst / BEK – Bergen Center for Electronic Arts (Bergen,Norway)
PETSCII by JP LeBreton, made in his EDSCII software. source
Streaming live video from iPhone to PET 2001, by commodorez.
Me on a 40 column green screen from a Commodore PET 2001, rendered in PETSCII (an extended ASCII character set). This was streamed live from an iPhone to a processor in the middle that then send the graphics live to the PET 2001 itself. I’m the vaguely human shape on the left with the derby hat on, hiding behind my camera.
PETSCII by Richard Winters.
PETSCII ltd poster by Raquel Meyers for Pagan Sector. EP ‘Hermopolis Magna’ Knekelhuis Records http://ift.tt/1wkeFUr