Tag Archives: 2010s

Biologinen Isae. PETSCII by Yleisradio for Zoo 2015.

PETSCII by Electric (aka Tommy Musturi) for the graphics competition at the Finnish demoscene party Zoo. Coltrane and beaver.

Want H.P. Lovecraft in PETSCII textmode as books and t-shirts? Here’s Raquel Meyers’ Kickstarter.

PETSCII-portraits by Otium for Galza-23.

Lenin, Putin and Jong-un in PETSCII. By Otium for Galza-23.

Wahlpoesie by Sarah Howorka. Replaces letters with whitespace in various Austrian parties’ election programs, using UNIX command line.

h/t: @zproc

A little-known story about a movement, a magazine, and the computer’s arrival in art (MIT Press, 2014). Nice punch cardey textmodey design. And an important book.

prostheticknowledge:

Eternal Portraits

Art project by Brian House are framed pieces of Facebook Facial Recognition data of users (thus, a portrait of users characteristics):

Facebook uses face recognition software to identify its users in photos. This works via a ‘template’ of your facial features that is created from your profile images. These features — the distance between your eyes, the symmetry of your mouth — generally do not change over time. Unlike a photograph, which captures some ephemeral expression of who you are at a particular moment, a face recognition template forever remains your portrait. It is all possible photos, taken and untaken, by which you, or someone else, might document your life.

These templates are Facebook’s proprietary data. For a brief period in 2013, users could access their template using the “Download a copy of your Facebook data” option in the settings (it is no longer included in the download). The information is unusable in its raw form without knowing the specifics of Facebook’s algorithm. But as an irrevocable corporate byproduct, the future implications of such data remain unclear.

Eternal Portraits is a series of printed and framed face recognition template data from our friends and ourselves.

More at Brian’s website here

Mommy says I’m special.

via

An anonymous novel written on the walls of an abandoned house in Chongqing, China (2012)