Works by Channa Horwitz (1932-2013), via Eko33
Works by Channa Horwitz (1932-2013), via Eko33
Yarn Drawing No. 16 by Sonya Rapoport and Charles Simmonds, 1976.
“Rapoport imposed what she called a “feminist art language code” on salvaged mainframe printouts, stitching them together like pieces of a patchwork quilt with rainbow yarn that she laced through the paper’s pinfeed holes.” >> artinprint
Splendid by Larry Coryell & Philip Catherine, 1978. h/t Takashi Kawano
Vera Molnar, Lignes parallèles (Cycle ‘A la recherche de Paul Klee’), 1971, Centre Pompidou, Paris (photo: Georges Meguerditchian) via writing-machines
The first image shows a ROM-dump of the font in the classic terminals VT100 and VT220. The second image is how they appear on screen. The difference is more than just aspect ratio. Look at letters like q and p: pixels are sometimes doubled, sometimes tripled. The fascinating explanation is here.
Self portrait by Janez Loger, 1971.
Works by Andre Krayewski (Andrzej Krajewski), 1970s and 1980s. h/t Marcin Przyłęcki.
Computer – Come and Dance (1977). ASCII art in the disco era. Includes the hit Nobody loves a computer because a computer does not dance. h/t: David Viens.
Notation (?) for Yannis Xenakis’ Le Diatope from 1978 that merges sound, light, color and architecture during live performances. h/t Tim Koch