A-C-R-C-I-T by Guy de Cointet, 1971.
Carl Fernbach-Flarsheim – Boolean Image/Conceptual Typewriter. From the exhibition Software in NYC, 1970. According to the under-age programmers of this piece, The R.E.S.I.S.T.O.R.S:
The exhibit was an anti-climax. The show opened in the summer, when it was rather hot, and the heat from all the computers made it even hotter. To keep the IDIIOM from overheating, they stuck a block of dry ice underneath which worked OK, but when the company saw what was happening to their computer, they took it home.
Grupa Tok performance, Serbia 1973.
Computer Graphics and Art, magazine cover, made by Matsuko K. Sasaki. Thx to Prosthetic Knowledge for sharing.
Cover of Kontexts, issue 4 (1972/1973) with typewriter art by Amelia Etlinger. Kontexts was a magazine of concrete and experimental poetry edited by Michael Gibbs (no 1 co-edited with Paul Merchant).
Thanks to Andrew Belsey for sharing.
By Edward Zajec, 1971. Patterns generated from 18 different tiles. Images from this page on Monoskop (archived, without images). More on his website and Slovenian Wikipedia.
Post updated in 2024.