By Mario Duran (on Tumblr).

PETSCII Nagel [2013] by Leichtfuß

By Filip De Haes (aka Otium). Oldschool ASCII artist and member of e.g ACiD and Galza.

By CTRL+C & CTRL+V (2011)

Minkowski, a variable typeface by Nigel Cottier, 2022. It’s based on Minkowski distance curves. From his Instagram.

More posts on Cottier.

An eerie ad for Prestel, which was a videotex service in the UK launched in 1979. A bit like interactive teletext.

Detail from a 1.2 meter beaded mask. Made in Western Cameroon. via

Typewriter works by Frank Singleton, 2023.

A more stylish interface for Morse Code: printing telegraphs! Each key represents a letter, and there is a shift key for capitalization.

This is Hughes telegraph (1866), which was the first telegraph that printed text on paper. Printing telegraphs were available earlier than that, often used for the stock market. Don’t fight the tape!

Yeep!Eep!Eep! (2010) by Daniel Temkin

geexstitch:

Synth Galleons by Pete Fowler

disco-hyena by b’ger

Portrait en creux de Georges Perec by Étienne Lécroart. Oulipo work with the following constraint according to Google Translate:

Text of a page describing a person and drawing a portrait of it by the whites of the text: between the words and at the end of lines. The text will preferably be in the negative form and composed in a fixed hunting font.

4 byte burger. C64 PETSCII by Christwoballs, 2023. Based on an Amiga pixel art piece by Jack Haeger. The video is a media archeological quest to reconstruct the original.

Visual textmode identity for Pickles PR by Part of a Bigger Plan. Check out the smoo00th transitions on their website.

Kind of similar to Siggi Eggertsson

Vertical bars for the ‘West Side Story’(1961) overture credits.
Watch it here

By Einar Guðmundsson, via hoploid.

We are all ejected, by Archmage. C64 PETSCII.

By Kludgeonsmith, around 1999-2000. (aka pinup 31 and 32 at textfiles.com from asciipr0n.com).