By Timm Ulrichs, published in Anthologie zur Visuelle Poesie, 1968.
More Ulrichs posts
Tag Archives: germany
ASCII-works by Andreas Freise (a:f), 2000-2002.
All works in this post by Julian Hespenheide, 2023. link
Resolution : 1080×1080
Grid size : 64×64
Char sets : ╭╭░░░░░╮╮▇▚▚▚▞▞▇█▌▐▄▀░▒▓▓
link
Resolution= 1024×1024 [3]
Grid size= 128×128
Char sets= ·_.⋰▁
Font= REXPaint-8
link
Resolution= 1024×1024 [3]
Grid size= 64×64
Char sets= ·▂▂▂▂▂▂▃▃▃▃▃▃▄▄▄▄▄▄▅▅▅▅▅▅▆▆▆▆▆▆▇▇▇▇▇▇██████♥♥♥♥♥♥♦♦♦♦♦♦♣♣♣♣♣♣♠♠♠♠♠♠♪♪♪♪♪♪♫♫♫♫♫♫☼☼☼☼☼☼««««««{{{{{{<<<<<<((((((;;;;;;::::::~~~~~~::::::;;;;;;))))))>>>>>>}}}}}}»»»»»»████████▇▇▇▇▇▇▇▇▆▆▆▆▆▆▆▆▅▅▅▅▅▅▅▅▄▄▄▄▄▄▄▄▃▃▃▃▃▃▃▃▂▂▂▂▂▂▂▂
Font= C64ProMono-16
Light and Space by Robert Irwin at Kraftwerk Berlin, 2022. He passed away the next year. Previously.
Booking a train with the German BTX videotex service in 1994. I believe the whole screen is text-mode, using all the tricks of BTX (custom characters, multi-colour characters, etc). Video by Anna Christina Naß, via pagetable where more videos are available.
Chaos Movie by BIT8, 2020. This is actually text-mode, although a very enhanced one. It uses the German videotex standard BTX that has several character sets/fonts and allows 94 customized characters (in multiple colours) and various effects, useful for animation. The CEPT videotex standard was modelled on BTX.
The animation runs on a Commodore 64 using an official BTX-peripheral, which is basically a little computer in itself.
Robot Radar by t0m3000, 2024. Plain C64 PETSCII with only one backgound colour.
Julian Hespenheide‘s design for the Hard Fork podcast, 2022. Cool choice of font!
Typewritings by Ruth Wolf-Rehfeldt, who recently passed away. via Paul Prudence.
More of her works